Allen Tate, Tension in Poetry, MCQ Quiz (Exam Pattern)

Allen Tate, Tension in Poetry, MCQ Quiz (Exam Pattern)

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Allen Tate – Tension in Poetry – MCQ Quiz

Allen Tate – “Tension in Poetry” – Exam Based MCQs

1. Allen Tate is most closely associated with the critical movement known as: (UGC NET 2016; SET 2018; PGTRB 2020)

A) Romanticism

B) New Criticism

C) Postcolonialism

D) Structuralism

Ans: B) New Criticism

2. “Tension in Poetry” is best known as: (SET 2017; UGC NET 2015)

A) A novel

B) A critical essay

C) A play

D) A manifesto of Romanticism

Ans: B) A critical essay

3. In Tate’s usage, “tension” in poetry primarily refers to the relationship between: (UGC NET 2017; PGTRB 2019; SET 2020)

A) Author and biography

B) Denotation and connotation

C) Printer and publisher

D) Rhyme and metre only

Ans: B) Denotation and connotation

4. Tate’s concept of “tension” is most similar to the New Critical emphasis on: (SET 2018; UGC NET 2016; PGTRB 2021)

A) Paraphrase as the goal of reading

B) The poem as a self-contained verbal object

C) Historical sources as the only meaning

D) Author’s intention as final authority

Ans: B) The poem as a self-contained verbal object

5. In “Tension in Poetry,” Tate argues that good poetry achieves unity through: (PGTRB 2020; SET 2019)

A) Single plain statement

B) The interplay of meanings within the poem

C) Author’s personal confession only

D) Historical references alone

Ans: B) The interplay of meanings within the poem

6. Tate defines “denotation” most closely as: (UGC NET 2015; SET 2017; PGTRB 2018)

A) The emotional suggestion of a word

B) The literal or dictionary meaning of a word

C) The rhythm pattern

D) The author’s private meaning

Ans: B) The literal or dictionary meaning of a word

7. Tate defines “connotation” most closely as: (SET 2018; UGC NET 2016)

A) The literal meaning only

B) The associated or suggested meanings and feelings

C) The grammatical function

D) The printing style

Ans: B) The associated or suggested meanings and feelings

8. Tate’s “tension” can be described as the total meaning produced by: (PGTRB 2019; SET 2020; UGC NET 2017)

A) Title alone

B) Interaction of literal and figurative elements

C) Author biography

D) Reader’s personal feelings only

Ans: B) Interaction of literal and figurative elements

9. Tate’s view opposes a purely “prosaic” reading because such reading: (UGC NET 2018; SET 2019)

A) Emphasizes rhythm and sound

B) Reduces poetry to a single paraphrasable statement

C) Values ambiguity

D) Focuses on metaphor

Ans: B) Reduces poetry to a single paraphrasable statement

10. The idea that a poem resists “paraphrase” is closely linked to: (PGTRB 2021; UGC NET 2016)

A) The heresy of paraphrase (Cleanth Brooks)

B) Marxist criticism

C) Psychoanalytic criticism

D) Reader-response theory

Ans: A) The heresy of paraphrase (Cleanth Brooks)

11. Tate’s concept of tension is most directly concerned with: (SET 2017; PGTRB 2020)

A) The poet’s childhood

B) The poem’s internal structure of meanings

C) The social class of the writer

D) The author’s intentions outside the text

Ans: B) The poem’s internal structure of meanings

12. Tate’s theory supports which New Critical practice? (UGC NET 2017; SET 2020)

A) Close reading

B) Pure biography study

C) Historical determinism only

D) Political propaganda reading only

Ans: A) Close reading

13. Tate’s “tension” is NOT simply the same as: (SET 2019; UGC NET 2018)

A) Total meaning

B) A single literal summary

C) Interplay of meanings

D) Structure of denotation and connotation

Ans: B) A single literal summary

14. The “tension” of a poem increases when: (PGTRB 2019; SET 2018)

A) It avoids imagery

B) It balances literal sense with figurative complexity

C) It uses only simple statements

D) It removes ambiguity

Ans: B) It balances literal sense with figurative complexity

15. In Tate’s framework, a poem’s meaning is produced by: (UGC NET 2016; SET 2017; PGTRB 2020)

A) One-to-one equivalence with prose

B) A pattern of relations between words and images

C) Author’s diary

D) Reader’s biography

Ans: B) A pattern of relations between words and images

16. “Tension in Poetry” is commonly taught under the umbrella of: (PGTRB 2018; UGC NET 2017)

A) New Criticism and formalist approaches

B) Postmodern historiography

C) Deconstruction alone

D) Eco-criticism

Ans: A) New Criticism and formalist approaches

17. Tate’s “tension” is closest to the idea that poetry holds together: (SET 2018; UGC NET 2016)

A) Contradictory impulses in a unified form

B) Only one fixed message

C) Pure scientific facts

D) Only historical data

Ans: A) Contradictory impulses in a unified form

18. Which term is most compatible with Tate’s “tension”? (UGC NET 2018; PGTRB 2021)

A) Ambiguity

B) Monosemy (single meaning)

C) Literalism only

D) Moral preaching

Ans: A) Ambiguity

19. Tate’s approach asks the reader to focus primarily on: (SET 2019; PGTRB 2020)

A) The poem’s language and internal relations

B) The poet’s political party

C) The poet’s travel history

D) The publisher’s biography

Ans: A) The poem’s language and internal relations

20. Tate’s “tension” can be reduced to which formula-like description? (UGC NET 2017; SET 2018)

A) Denotation + Connotation

B) Biography + History

C) Author + Audience

D) Publisher + Printer

Ans: A) Denotation + Connotation

21. In New Critical terms, Tate’s “tension” helps explain why poems often contain: (PGTRB 2019; UGC NET 2016; SET 2020)

A) Only factual statements

B) Multiple layers of meaning

C) No imagery

D) Only simple moral lessons

Ans: B) Multiple layers of meaning

22. Tate’s argument implies that the “meaning” of a poem is best found by: (SET 2017; PGTRB 2021)

A) Rewriting it as prose

B) Analyzing its language, imagery, and structure

C) Reading only the poet’s letters

D) Ignoring figurative language

Ans: B) Analyzing its language, imagery, and structure

23. “Tension” is most likely to be weak in a poem that: (UGC NET 2018; SET 2019)

A) Has rich imagery and layered meaning

B) Is purely didactic and paraphrasable

C) Uses irony

D) Has symbolic density

Ans: B) Is purely didactic and paraphrasable

24. The “tension” of poetry encourages a reader to avoid: (PGTRB 2020; SET 2018)

A) Close reading

B) Oversimplified paraphrase

C) Attention to imagery

D) Attention to diction

Ans: B) Oversimplified paraphrase

25. Tate’s essay is often linked to the broader New Critical concern with: (UGC NET 2017; PGTRB 2019; SET 2020)

A) Organic unity

B) Author’s political manifesto

C) Economic determinism

D) Reader’s autobiography

Ans: A) Organic unity

26. Tate’s “tension” is closely related to the idea that poetry uses language: (SET 2018; UGC NET 2016)

A) Only literally

B) In a complex, multi-dimensional way

C) Only scientifically

D) Only as plain instruction

Ans: B) In a complex, multi-dimensional way

27. Tate’s essay supports the view that poetic language is: (PGTRB 2021; SET 2019)

A) Purely referential and transparent

B) Intensified and structured by figurative relations

C) Identical to everyday speech

D) Meaningless decoration

Ans: B) Intensified and structured by figurative relations

28. “Tension” in Tate is best understood as a feature of: (UGC NET 2018; SET 2020)

A) External historical background

B) Internal meaning-structure of the poem

C) Publishing history

D) The poet’s private life

Ans: B) Internal meaning-structure of the poem

29. Tate’s “tension” is most effectively studied through: (PGTRB 2019; UGC NET 2017; SET 2018)

A) Close reading of diction and imagery

B) Census records

C) Author interviews only

D) The poet’s birthplace

Ans: A) Close reading of diction and imagery

30. A poem with strong “tension” typically avoids being: (SET 2017; UGC NET 2016)

A) Multi-layered

B) A simple statement with one-level meaning

C) Ironic

D) Symbolic

Ans: B) A simple statement with one-level meaning

31. Tate’s framework implies that poetic meaning is best described as: (PGTRB 2020; UGC NET 2018; SET 2019)

A) Fixed and singular

B) A unified complexity

C) Only historical

D) Only moral

Ans: B) A unified complexity

32. The “tension” between denotation and connotation is strongest when language is: (SET 2020; PGTRB 2021)

A) Completely literal and flat

B) Figurative, ironic, and context-rich

C) Only technical

D) Only repetitive

Ans: B) Figurative, ironic, and context-rich

33. Tate’s “tension” encourages readers to see a poem’s words as: (UGC NET 2017; SET 2018)

A) Replaceable synonyms

B) Functioning within an interdependent system

C) Unrelated to each other

D) Meaningless ornaments

Ans: B) Functioning within an interdependent system

34. Which pair best fits Tate’s core idea? (PGTRB 2019; UGC NET 2016; SET 2019)

A) Denotation vs Connotation

B) Publisher vs Printer

C) Biography vs Geography

D) Grammar vs Spelling

Ans: A) Denotation vs Connotation

35. Tate’s essay aligns with New Criticism’s resistance to: (SET 2017; PGTRB 2020)

A) Close reading

B) Reducing poems to external context only

C) Studying imagery

D) Studying irony

Ans: B) Reducing poems to external context only

36. Tate’s “tension” helps explain why a poem can mean more than: (UGC NET 2018; SET 2020)

A) Its literal statement

B) Its printer’s name

C) Its publication date

D) Its author’s birthplace

Ans: A) Its literal statement

37. Tate’s discussion suggests that metaphor contributes to tension by: (PGTRB 2021; SET 2019; UGC NET 2017)

A) Eliminating meaning

B) Expanding meaning beyond literal sense

C) Making language purely factual

D) Removing ambiguity

Ans: B) Expanding meaning beyond literal sense

38. Which of the following best describes a poem with high tension? (UGC NET 2016; SET 2018)

A) Easily paraphrasable and flat

B) Complex, layered, unified

C) Only factual and direct

D) Purely autobiographical

Ans: B) Complex, layered, unified

39. Tate’s “tension” is a concept used primarily to evaluate: (PGTRB 2019; UGC NET 2018; SET 2020)

A) Scientific writing

B) Poetic language and meaning

C) Legal documents

D) Newspaper editorials

Ans: B) Poetic language and meaning

40. Tate’s essay implies that the best poems achieve a balance between: (SET 2018; PGTRB 2020)

A) Literal sense and figurative resonance

B) Biography and gossip

C) Printing and binding

D) Dates and facts

Ans: A) Literal sense and figurative resonance

41. Tate’s “tension” is conceptually close to the New Critical focus on: (UGC NET 2017; SET 2019; PGTRB 2021)

A) Organic unity

B) Pure plot summary

C) Author worship

D) Historical determinism only

Ans: A) Organic unity

42. In Tate’s framework, a poem’s “total meaning” emerges from: (SET 2017; UGC NET 2016)

A) Interactions of meanings within its language

B) External facts alone

C) Author’s intention only

D) Reader’s mood only

Ans: A) Interactions of meanings within its language

43. Tate’s “tension” is best understood as a feature of: (PGTRB 2019; SET 2018; UGC NET 2017)

A) The poem’s internal structure

B) The poet’s family history

C) Publishing trends

D) The reader’s handwriting

Ans: A) The poem’s internal structure

44. Tate’s concept helps explain why poetic meaning is often: (UGC NET 2018; PGTRB 2020; SET 2019)

A) Single-layered

B) Multi-layered and unified

C) Only literal

D) Only autobiographical

Ans: B) Multi-layered and unified

45. Tate’s essay implies that analysis should focus on: (SET 2020; UGC NET 2016)

A) Language, imagery, and meaning-relations

B) Poet’s horoscope

C) Reader’s biography

D) Publisher’s profit

Ans: A) Language, imagery, and meaning-relations

46. Tate’s notion of tension supports the claim that poetry: (PGTRB 2021; SET 2019; UGC NET 2017)

A) Is fully translatable into plain prose without loss

B) Produces meaning through complex verbal structure

C) Is only emotional outburst

D) Is only historical document

Ans: B) Produces meaning through complex verbal structure

47. “Tension in Poetry” is most useful for teaching students to: (UGC NET 2018; SET 2020; PGTRB 2022)

A) Memorize poet biographies

B) Practice close reading and interpret layered meanings

C) Avoid figurative language

D) Focus only on moral lessons

Ans: B) Practice close reading and interpret layered meanings

48. Tate’s critical vocabulary here connects most with the New Critical attention to: (SET 2018; PGTRB 2020)

A) “How the poem works”

B) “Who the poet met”

C) “Which party the poet joined”

D) “Which city the poem was printed in”

Ans: A) “How the poem works”

49. According to Tate, the value of a poem depends largely on: (UGC NET 2017; SET 2019; PGTRB 2021)

A) Its ability to be summarized in one sentence

B) The richness of its internal meaning-relations

C) The fame of its publisher

D) The poet’s personal diary

Ans: B) The richness of its internal meaning-relations

50. Overall, “tension” in Tate’s essay suggests that poetry is: (PGTRB 2020; UGC NET 2019; SET 2020)

A) Best read only for plot

B) A complex verbal structure where meanings interact to create unity

C) Only biography in verse

D) Only moral preaching

Ans: B) A complex verbal structure where meanings interact to create unity

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