I. A. Richards – Four Kinds of Meaning – Exam Based MCQs
1. I. A. Richards is best known as a critic associated with: (UGC NET 2016; SET 2019; PGTRB 2021)
A) Romantic criticism
B) Practical Criticism
C) Postcolonial criticism
D) Feminist criticism
Ans: B) Practical Criticism
2. The concept “Four Kinds of Meaning” is most closely associated with the work of: (SET 2018; UGC NET 2017)
A) T. S. Eliot
B) I. A. Richards
C) Northrop Frye
D) Roland Barthes
Ans: B) I. A. Richards
3. Richards is also famous for co-authoring The Meaning of Meaning with: (PGTRB 2019; SET 2020)
A) William Empson
B) C. K. Ogden
C) F. R. Leavis
D) John Crowe Ransom
Ans: B) C. K. Ogden
4. Richards’ approach in practical criticism emphasizes: (UGC NET 2015; PGTRB 2018)
A) Author’s biography
B) Close reading and response to the text
C) Only historical background
D) Only reader surveys
Ans: B) Close reading and response to the text
5. The “four kinds of meaning” are generally discussed in relation to: (SET 2017)
A) Poetic language and interpretation
B) Dramatic performance
C) Translation only
D) Manuscript studies
Ans: A) Poetic language and interpretation
6. In Richards’ theory, “Sense” in language most nearly refers to: (UGC NET 2014; SET 2016; PGTRB 2020)
A) The dictionary/literal meaning
B) The emotional tone only
C) The rhyme scheme
D) The author’s life
Ans: A) The dictionary/literal meaning
7. In Richards’ model, “Feeling” is best understood as: (SET 2019; UGC NET 2018)
A) The logical reference
B) The emotional attitude conveyed by the speaker/writer
C) The grammatical structure
D) The historical context
Ans: B) The emotional attitude conveyed by the speaker/writer
8. Richards’ “Tone” in communication mainly indicates: (UGC NET 2019; SET 2020)
A) Speaker’s attitude toward the listener/reader
B) The etymology of words
C) The meter of the poem
D) The printing style
Ans: A) Speaker’s attitude toward the listener/reader
9. Richards’ fourth kind of meaning, “Intention,” refers to: (PGTRB 2022; SET 2018)
A) The author’s plan/purpose in saying something
B) The sound pattern only
C) The typography of the text
D) The publishing date
Ans: A) The author’s plan/purpose in saying something
10. The four kinds of meaning in Richards’ theory are: (UGC NET 2016; PGTRB 2019; SET 2021)
A) Theme, Plot, Character, Setting
B) Sense, Feeling, Tone, Intention
C) Denotation, Connotation, Metaphor, Irony
D) Grammar, Syntax, Semantics, Phonology
Ans: B) Sense, Feeling, Tone, Intention
11. Richards’ four kinds of meaning are mainly a tool for: (SET 2016)
A) Counting syllables
B) Analysing how language communicates meaning and attitude
C) Dating manuscripts
D) Studying only historical phonology
Ans: B) Analysing how language communicates meaning and attitude
12. The “tone” component in Richards’ model is different from “feeling” because tone focuses on: (UGC NET 2017)
A) The speaker’s attitude toward the audience
B) The speaker’s internal emotions only
C) The dictionary meaning only
D) The rhyme scheme
Ans: A) The speaker’s attitude toward the audience
13. In Richards’ view, misunderstanding in communication often arises because: (PGTRB 2020; SET 2019)
A) Words always have single meanings
B) Different kinds of meaning get confused or ignored
C) Grammar is unnecessary
D) Poetry has no meaning
Ans: B) Different kinds of meaning get confused or ignored
14. Richards’ framework is closely tied to which field? (UGC NET 2015; SET 2018)
A) Prosody only
B) Semantics and communication
C) Theatre direction
D) Book history only
Ans: B) Semantics and communication
15. Richards’ practical criticism is famous for experiments involving: (SET 2017; PGTRB 2018)
A) “Unknown” poems given to students without author names
B) Only biography-based readings
C) Only historical documents
D) Translating poems into Latin
Ans: A) “Unknown” poems given to students without author names
16. Richards’ “intention” is closest to the idea of: (UGC NET 2018; SET 2020)
A) Purpose or aim of the utterance
B) Accent patterns
C) Etymology
D) Only plot structure
Ans: A) Purpose or aim of the utterance
17. Richards’ model is useful because it shows that meaning in language is: (PGTRB 2021)
A) Always fixed and stable
B) Multi-dimensional (not just dictionary sense)
C) Only historical
D) Only grammatical
Ans: B) Multi-dimensional (not just dictionary sense)
18. Richards’ “Sense” corresponds most closely to: (UGC NET 2019; SET 2018; PGTRB 2022)
A) Reference/denotation
B) Audience reaction only
C) Melody of language
D) Typography
Ans: A) Reference/denotation
19. Richards’ “Feeling” is closest to: (SET 2019)
A) The speaker’s emotional attitude
B) The audience’s beliefs
C) Word origins
D) The author’s date of birth
Ans: A) The speaker’s emotional attitude
20. Richards’ “Tone” can be detected through: (UGC NET 2016)
A) The speaker’s relationship implied with the audience
B) Only the rhyme
C) Only the grammar
D) Only the publication year
Ans: A) The speaker’s relationship implied with the audience
21. The “four kinds of meaning” are frequently used to analyse: (PGTRB 2019; SET 2020)
A) Poetic diction and interpretation
B) Stage lighting
C) Manuscript ink
D) Only rhyme schemes
Ans: A) Poetic diction and interpretation
22. Richards’ work helped establish the classroom practice of: (UGC NET 2015; SET 2017)
A) Close reading without author labels
B) Pure historical dating
C) Only moral judgement
D) Translation drills
Ans: A) Close reading without author labels
23. Which of the following is NOT one of Richards’ four kinds of meaning? (SET 2016; PGTRB 2018)
A) Sense
B) Feeling
C) Tone
D) Plot
Ans: D) Plot
24. Richards’ theory supports the view that poetic meaning is produced by: (UGC NET 2018)
A) Only literal reference
B) Interaction of sense, feeling, tone and intention
C) Only author biography
D) Only historical context
Ans: B) Interaction of sense, feeling, tone and intention
25. Richards’ emphasis on “intention” is NOT the same as “intentional fallacy” because Richards focuses on: (PGTRB 2020; UGC NET 2017; SET 2019)
A) Purpose in the utterance as part of meaning analysis
B) Proving biography is everything
C) Denying language has meaning
D) Only historical sources
Ans: A) Purpose in the utterance as part of meaning analysis
26. Richards’ “tone” is most clearly seen when the speaker’s words imply: (SET 2018)
A) An attitude toward the listener/reader
B) Only dictionary meaning
C) Only sound effects
D) Only rhyme patterns
Ans: A) An attitude toward the listener/reader
27. Richards’ framework belongs to a broader interest in: (UGC NET 2019; PGTRB 2021)
A) How language functions in communication
B) Only manuscript dating
C) Only dramatic staging
D) Only folklore collection
Ans: A) How language functions in communication
28. Richards argued that many critical disputes arise because readers confuse: (SET 2017)
A) Spelling and punctuation
B) Different kinds of meaning
C) Poetry and prose
D) Author and printer
Ans: B) Different kinds of meaning
29. Richards’ work is important because it treats poetry as: (UGC NET 2016; SET 2019)
A) Pure ornament without meaning
B) A complex act of communication
C) Only historical record
D) Only biography
Ans: B) A complex act of communication
30. Richards is considered a foundational figure for: (PGTRB 2018; SET 2020)
A) Practical Criticism and modern close reading pedagogy
B) Only deconstruction
C) Only psychoanalysis
D) Only structural anthropology
Ans: A) Practical Criticism and modern close reading pedagogy
31. The term “Practical Criticism” is especially associated with: (UGC NET 2017)
A) I. A. Richards
B) Jacques Derrida
C) Michel Foucault
D) Edward Said
Ans: A) I. A. Richards
32. Richards’ “four kinds of meaning” can be used to explain why “tone” matters in: (SET 2018; PGTRB 2020)
A) Communication and interpretation
B) Only spelling
C) Only grammar
D) Only chronology
Ans: A) Communication and interpretation
33. Which pair correctly matches Richards and his key concern? (UGC NET 2015; SET 2017; PGTRB 2019)
A) Richards – close analysis of language and meaning
B) Richards – only myth and archetypes
C) Richards – only class struggle
D) Richards – only author biography
Ans: A) Richards – close analysis of language and meaning
34. Richards’ four meanings show that literary language has: (SET 2016)
A) Only one layer
B) Several interacting layers (sense/feeling/tone/intention)
C) No communicative function
D) Only historical meaning
Ans: B) Several interacting layers (sense/feeling/tone/intention)
35. Richards’ model is particularly helpful for interpreting: (UGC NET 2019; SET 2021)
A) How poems communicate attitudes and values
B) Only rhyme schemes
C) Only typography
D) Only book history
Ans: A) How poems communicate attitudes and values
36. Richards’ four kinds of meaning imply that “meaning” is: (PGTRB 2018)
A) Only denotation
B) A complex interaction of different components
C) Always accidental
D) Only a historical product
Ans: B) A complex interaction of different components
37. Richards’ idea of “intention” is best treated as: (SET 2019)
A) An element within the communicative act
B) Proof that biography decides meaning
C) Irrelevant to interpretation
D) Only a printer’s decision
Ans: A) An element within the communicative act
38. Richards’ analysis of meaning is often used in: (UGC NET 2016; SET 2018)
A) Practical criticism classrooms
B) Only theatre practice
C) Only archaeology
D) Only digital gaming
Ans: A) Practical criticism classrooms
39. Which of the following best summarizes Richards’ contribution? (PGTRB 2021; UGC NET 2017)
A) He shifted criticism toward close study of language and response
B) He rejected interpretation
C) He argued only myths matter
D) He focused only on biography
Ans: A) He shifted criticism toward close study of language and response
40. The four kinds of meaning can be mapped to: (SET 2020; UGC NET 2018)
A) Layers in communication beyond literal sense
B) Only meter patterns
C) Only biography
D) Only book-binding
Ans: A) Layers in communication beyond literal sense
41. Richards’ emphasis on “feeling” highlights that language can carry: (UGC NET 2015; PGTRB 2019)
A) Emotive force and attitude
B) Only dictionary reference
C) Only historical dates
D) Only grammatical rules
Ans: A) Emotive force and attitude
42. Richards’ work on meaning is most relevant to: (SET 2017)
A) Semantics and interpretation
B) Only stage design
C) Only prosody
D) Only palaeography
Ans: A) Semantics and interpretation
43. In Richards’ framework, “tone” can change meaning because it shapes: (UGC NET 2018; SET 2019; PGTRB 2020)
A) The implied relationship between speaker and audience
B) The spelling only
C) The punctuation only
D) The paper quality
Ans: A) The implied relationship between speaker and audience
44. Richards’ “sense” is closest to which common term? (PGTRB 2022; SET 2020)
A) Denotation / reference
B) Alliteration
C) Irony
D) Catharsis
Ans: A) Denotation / reference
45. Richards’ model supports the view that critical reading requires attention to: (UGC NET 2016)
A) How words mean (not just what they mean)
B) Only the author’s birth date
C) Only the publisher
D) Only the genre label
Ans: A) How words mean (not just what they mean)
46. Which statement best matches Richards’ idea? (SET 2018; PGTRB 2019)
A) Meaning is purely dictionary sense
B) Meaning includes sense, feeling, tone, and intention
C) Poetry has no meaning
D) Only biography decides meaning
Ans: B) Meaning includes sense, feeling, tone, and intention
47. Richards influenced later criticism by emphasizing: (UGC NET 2019; SET 2021)
A) Textual analysis and semantic precision
B) Only social history
C) Only mythic archetypes
D) Only performance
Ans: A) Textual analysis and semantic precision
48. “Four kinds of meaning” is best taught under: (PGTRB 2020; UGC NET 2017)
A) Literary Criticism / Theory and Semantics
B) Only prosody
C) Only manuscript study
D) Only translation theory
Ans: A) Literary Criticism / Theory and Semantics
49. Richards’ “intention” most directly relates to: (SET 2019; PGTRB 2021; UGC NET 2018)
A) The speaker’s purpose in using language
B) Only rhyme patterns
C) Only punctuation
D) Only printing errors
Ans: A) The speaker’s purpose in using language
50. Overall, I. A. Richards’ “Four Kinds of Meaning” shows that language in literature is: (UGC NET 2020; SET 2020; PGTRB 2022)
A) Always single-layered
B) Multi-layered and communicative (sense, feeling, tone, intention)
C) Meaningless noise
D) Only historical record
Ans: B) Multi-layered and communicative (sense, feeling, tone, intention)

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