G.M. Hopkins – God’s Grandeur – Important MCQs (UGC NET / SET / PGTRB)

G.M. Hopkins – God’s Grandeur – Important MCQs (UGC NET / SET / PGTRB)

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G.M. Hopkins – God’s Grandeur – MCQ Quiz

G.M. Hopkins – “God’s Grandeur” – Exam Based MCQs

1. “God’s Grandeur” is written by: (UGC NET / SET / PGTRB)

A) Alfred Tennyson

B) Robert Browning

C) Gerard Manley Hopkins

D) Matthew Arnold

Ans: C) Gerard Manley Hopkins

2. “God’s Grandeur” is best classified as a: (SET)

A) Sonnet

B) Ballad

C) Ode

D) Elegy

Ans: A) Sonnet

3. The poem’s sonnet pattern is closest to: (UGC NET)

A) Shakespearean only (3 quatrains + couplet)

B) Spenserian stanza

C) Heroic couplets

D) Petrarchan/Italian (octave + sestet)

Ans: D) Petrarchan/Italian (octave + sestet)

4. A common Hopkins technique strongly present in the poem is: (PGTRB)

A) Stream of consciousness

B) Sprung rhythm

C) Dramatic monologue

D) Blank-verse epic

Ans: B) Sprung rhythm

5. The poem opens with the statement that the world is charged with: (SET)

A) The grandeur of God

B) Political power

C) Industrial wealth

D) Human glory alone

Ans: A) The grandeur of God

6. “It will flame out, like shining from shook foil” is an example of: (UGC NET)

A) Litotes

B) Paradox only

C) Simile

D) Allegory

Ans: C) Simile

7. “Shook foil” mainly suggests: (PGTRB)

A) A dull stone surface

B) An animal’s fur

C) A torn book page

D) Sudden flashes of reflected light

Ans: D) Sudden flashes of reflected light

8. The poem criticizes humans for: (SET)

A) Too much prayer

B) Treading and trading until nature is “seared”

C) Loving nature too much

D) Rejecting language

Ans: B) Treading and trading until nature is “seared”

9. The line “And all is seared with trade” mainly expresses: (UGC NET)

A) Industrial/commerce damage to nature

B) Joyful marketplace celebration

C) A love letter

D) Military victory

Ans: A) Industrial/commerce damage to nature

10. Hopkins is often linked with the concepts of: (PGTRB)

A) Objective correlative

B) Stream of consciousness

C) Inscape and instress

D) Neoclassical decorum

Ans: C) Inscape and instress

11. In general, “inscape” refers to: (SET)

A) Political ideology

B) A strict rhyme scheme

C) A narrative plot

D) The unique inner pattern/essence of a thing

Ans: D) The unique inner pattern/essence of a thing

12. In general, “instress” refers to: (UGC NET)

A) A comic device

B) The force that holds/presses inscape on the mind

C) A type of stanza

D) A mythological character

Ans: B) The force that holds/presses inscape on the mind

13. The poem uses strong sound patterns such as: (PGTRB)

A) Alliteration and internal rhyme

B) Only end-rhyme couplets

C) Only free verse

D) Only prose rhythm

Ans: A) Alliteration and internal rhyme

14. “Generations have trod, have trod, have trod” is mainly: (SET)

A) Understatement

B) Irony

C) Repetition for emphasis

D) Euphemism

Ans: C) Repetition for emphasis

15. The phrase “smudge and share man’s smell” suggests: (UGC NET)

A) Nature is perfectly clean always

B) The sea is frozen

C) Love is victorious

D) Human pollution/defilement of the natural world

Ans: D) Human pollution/defilement of the natural world

16. The poem ultimately argues that nature is NOT permanently ruined because: (SET)

A) Humans never harm it

B) “There lives the dearest freshness deep down things”

C) Machines will fix it instantly

D) Trade is always holy

Ans: B) “There lives the dearest freshness deep down things”

17. The central tone of the poem combines: (PGTRB)

A) Complaint + hope

B) Only comedy

C) Only pessimism

D) Only romance

Ans: A) Complaint + hope

18. The poem’s “volta” (turn) occurs: (UGC NET)

A) After line 2

B) Only at the last word

C) After the octave (around line 9)

D) There is no turn at all

Ans: C) After the octave (around line 9)

19. The image of “ooze of oil / crushed” suggests: (SET)

A) A wedding feast

B) A playful dance

C) A peaceful meadow

D) Pressed richness and sudden release of energy

Ans: D) Pressed richness and sudden release of energy

20. Hopkins was a: (PGTRB)

A) Romantic poet

B) Victorian poet and Jesuit priest

C) Metaphysical poet of the 1600s

D) Modernist novelist

Ans: B) Victorian poet and Jesuit priest

21. The phrase “the Holy Ghost” appears with imagery of: (SET)

A) Brooding with bright wings

B) Laughing in a market

C) Riding a horse

D) Holding a sword

Ans: A) Brooding with bright wings

22. “Broods” in the last lines most suggests: (UGC NET)

A) Angry shouting

B) Mechanical movement

C) Protective, nurturing presence

D) Political propaganda

Ans: C) Protective, nurturing presence

23. “And for all this, nature is never spent” implies: (PGTRB)

A) Nature is finished and dead

B) Nature cannot be described

C) Nature is only human-made

D) Nature’s renewing power persists despite damage

Ans: D) Nature’s renewing power persists despite damage

24. The poem contrasts “seared” human activity with: (SET)

A) Courtroom laws

B) A deep freshness still alive in creation

C) A war victory parade

D) A comic theatre scene

Ans: B) A deep freshness still alive in creation

25. The overall theme of “God’s Grandeur” is: (UGC NET)

A) God’s presence in nature despite human destruction

B) A love triangle story

C) A political manifesto

D) A travel diary

Ans: A) God’s presence in nature despite human destruction

26. The poem’s language is notable for: (PGTRB)

A) Plain diary prose

B) Simple nursery rhymes

C) Unusual compound words and compressed syntax

D) Only Latin throughout

Ans: C) Unusual compound words and compressed syntax

27. The poem uses “electric” imagery mainly to express: (SET)

A) Farming season

B) Wedding joy

C) War propaganda

D) Divine energy suddenly revealing itself

Ans: D) Divine energy suddenly revealing itself

28. “Why do men then now not reck his rod?” mainly asks: (UGC NET)

A) Why men study science

B) Why humans ignore God’s authority/power

C) Why birds migrate

D) Why trade is necessary

Ans: B) Why humans ignore God’s authority/power

29. The poem’s main conflict is between: (PGTRB)

A) Human exploitation vs divine/natural renewal

B) Two lovers

C) Two kings

D) Two armies

Ans: A) Human exploitation vs divine/natural renewal

30. Hopkins is famous for creating: (SET)

A) Heroic couplets as a rule

B) Epic novels

C) Sprung rhythm and intense sound patterns

D) Restoration comedy

Ans: C) Sprung rhythm and intense sound patterns

31. “Crust” in the poem most likely implies: (UGC NET)

A) A cake recipe

B) A courtroom witness

C) A river bank only

D) The earth’s surface hardened/marked by labor

Ans: D) The earth’s surface hardened/marked by labor

32. The poem’s religious view is MOST consistent with: (PGTRB)

A) Total atheism

B) Christian theology (God + Holy Ghost)

C) Pure political ideology

D) Myth-only paganism

Ans: B) Christian theology (God + Holy Ghost)

33. The poem’s imagery moves from: (SET)

A) Human damage → divine renewal/hope

B) Love → jealousy

C) War → victory

D) Comedy → tragedy only

Ans: A) Human damage → divine renewal/hope

34. “Bare now, nor can foot feel” implies: (UGC NET)

A) Feet have wings

B) Nature is louder

C) Humans are disconnected from the earth

D) The earth is frozen forever

Ans: C) Humans are disconnected from the earth

35. Hopkins’s style in this poem is MOST known for: (PGTRB)

A) Simple conversational prose

B) Only long narrative storytelling

C) No sound devices

D) Dense musicality (alliteration, assonance, sprung rhythm)

Ans: D) Dense musicality (alliteration, assonance, sprung rhythm)

36. Which pair is correctly associated with Hopkins criticism? (SET)

A) Objective correlative – Eliot

B) Inscape – Hopkins

C) Dramatic monologue – Keats

D) Pastoral elegy – Pope

Ans: B) Inscape – Hopkins

37. The poem’s “freshness” line supports the idea of: (UGC NET)

A) Regeneration and resilience in nature

B) Total emptiness in the world

C) Pure industrial victory

D) A detective plot twist

Ans: A) Regeneration and resilience in nature

38. “God’s Grandeur” is often read as a response to: (PGTRB)

A) Medieval chivalry

B) Pure romantic love

C) Industrialization’s harm to nature

D) Renaissance painting only

Ans: C) Industrialization’s harm to nature

39. The “rod” in “reck his rod” most likely symbolizes: (SET)

A) A fishing tool

B) A flute

C) A pen

D) Authority / divine power

Ans: D) Authority / divine power

40. Hopkins is sometimes described as a precursor to: (UGC NET)

A) Restoration drama

B) Modern poetic experimentation

C) Medieval mystery plays

D) Classical epic only

Ans: B) Modern poetic experimentation

41. The poem’s final image is primarily: (SET)

A) The Holy Ghost over the bent world with bright wings

B) A king’s palace

C) A battlefield

D) A wedding banquet

Ans: A) The Holy Ghost over the bent world with bright wings

42. The phrase “Have trod” repeated mainly conveys: (PGTRB)

A) Nature’s laughter

B) A legal judgment

C) Long, continuous human impact across time

D) A single moment’s action only

Ans: C) Long, continuous human impact across time

43. In the poem, “nature is never spent” most nearly equals: (UGC NET)

A) Nature cannot be seen

B) Nature is always dirty

C) Nature is purely human-made

D) Nature’s energy renews itself again and again

Ans: D) Nature’s energy renews itself again and again

44. The poem’s diction (seared, smeared, smudge, smell) creates a sense of: (SET)

A) Pure celebration

B) Stain/defilement and human corruption

C) Comic fun

D) Romantic courtship

Ans: B) Stain/defilement and human corruption

45. A major theme of the poem is: (PGTRB)

A) Divine immanence (God present in the world)

B) Political revolution

C) Pure escapist fantasy

D) Court satire

Ans: A) Divine immanence (God present in the world)

46. Hopkins’s “sprung rhythm” mainly emphasizes: (UGC NET)

A) Equal syllable count every line

B) Only rhyme, not stress

C) Strong stresses (beats) rather than fixed syllables

D) No rhythm at all

Ans: C) Strong stresses (beats) rather than fixed syllables

47. “God’s Grandeur” is NOT mainly about: (SET)

A) God’s power in creation

B) Human damage to nature

C) Nature’s renewal

D) A literal historical battle narrative

Ans: D) A literal historical battle narrative

48. The structure “octave + sestet” suggests the poem has: (PGTRB)

A) 12 lines

B) 14 lines

C) 16 lines

D) 10 lines

Ans: B) 14 lines

49. Hopkins’s poetry is known for “compression,” meaning: (UGC NET)

A) Packed meaning with condensed syntax and sound

B) Very long simple sentences

C) Only plain everyday speech

D) No imagery

Ans: A) Packed meaning with condensed syntax and sound

50. Which statement is TRUE about “God’s Grandeur”? (UGC NET)

A) It is a comedy play

B) It is a pastoral epic of 12 books

C) It is a short story in prose

D) It is a religious sonnet mixing critique of industry with hope of renewal

Ans: D) It is a religious sonnet mixing critique of industry with hope of renewal

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